Best Cinematography – 1972

Official Nominations: Cabaret. 1776. Butterflies Are Free. The Poseidon Adventure. Travels With My Aunt.

Cabaret gets the expected nomination and win but there’s only one winner in this category for me. 1776 is not a film many will remember or know, a musical overshadowed by Minnelli, Fosse and co. It’s based around George Washington and all that stuff, but it’s a bit crap. I’ve no idea why Butterflies Are Free is nominated here and I could say the same for Travels With My Aunt.

My Winner: The Poseidon Adventure.

Poseidon-Adventure-1972.JPG

My Nominations: Cabaret. The Poseidon Adventure. Aguirre, The Wrath Of God. Cries And Whispers. Deliverance. The Way Of The Dragon. The Godfather. Images. The Last House On The Left.

Only the big two make it onto my list. Cries And Whispers would get the official win next year, but as it’s a 1972 film it makes my list here. The Godfather bizarrely was not nominated so we fix that mishap, The Way Of The Dragon deserves at least a nomination for Cinematography – maybe the only realistic category it deserved to get a shot in, and Aguirre is a gorgeous film underrepresented by The Academy. Images is a very interesting piece with an interesting look. The Last House On The Left is stark in imagery and tone but is a perfect example of making beauty out of something ugly. My win goes to Vilmos Zsignmond for Deliverance – he would get an official win later but his work here deserved attention.

My Winner: Deliverance

Let us know in the comments which film you pick as winner of the Best Cinematography of 1972!

2 thoughts on “Best Cinematography – 1972

  1. John Charet February 10, 2018 / 12:22 am

    Great post 🙂 Personally, I would choose Sven Nykvist’s work on Cries and Whispers. The use of red in that film is just so striking. Anyway, keep up the great work as always 🙂

    • carlosnightman February 10, 2018 / 10:13 am

      Yes, I love when a specific colour is used repeatedly and significantly throughout a film.

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