Another Frighfest film – which can be hit or miss – The Windmill Massacre has a few things going for it from the off, namely a sort of interesting premise and a rarely used location. The cast has a few semi-recognisable faces, the director (who also writes) is an unknown, and as yet I haven’t seen this spoken of in the horror community. Is it any good?
In grand horror tradition we have a group of individuals getting picked off one by one by a masked villain. Before we get to that point, we meet each of the group in The Netherlands and it seems that a few of them have secrets to hide. Jackson, an English soldier, is there for some R and R with his mates, but after some sort of event with a prostitute he needs to keep his head down. To run down the clock before he checks out, he decides to go on a bus tour of the countryside, visiting various windmills and sites of interest. There he meets Jennifer, an Australian who has apparently been working as a Nanny but hiding her true identity – she too hops on the tour to avoid the police. They meet a Japanese tourist, a father and son, a photographer, a doctor, and the tour guide. As the tour embarks we are drip fed information about each person and it soon becomes apparent that they all have a dark past.
As is inevitable with these things, the bus breaks down, the group becomes stranded in the middle of nowhere, and a psycho with a fetish for scythes kicks off an evisceration party. This is where the premise kicks in – the killer only seems interested in people who have not atoned for their sins. Which of the group will show remorse when that means admitting what they have done? Who in the group knows more than they are telling? Who will run? Who will die? You know the drill.
Although we do get some pieces of backstory for the characters, there isn’t much discussion on morals or repentance or reasons given for their sins. Having said that, we do sense the conflict between the person and their past, and indeed between certain members of the group. The movie has some early moments of atmosphere, and it does burn slowly until the first kill. We are treated to some efficient and nasty kills, there are some twists, but I was looking for the story to take me somewhere else – there were a few points where I thought the plot could have taken a different turn or surprised with a more shocking twist, but instead it plays a safer game. Technically fine, Jongerius gets the most out of his cast and the settings shot in daylight are nice. Most of the second half of the film is set at night so the location loses its impact. Most people will probably recognize Noah Taylor from his Game Of Thrones days and Patrick Baladi from The Office. The slasher killer isn’t charismatic or scary enough to truly make an impact, but for a simple one-off view it’s fine. This is one horror fans should give a go if they can find it, but it’s not going to be on many ‘best of year’ lists.
Let me know in the comments what you thought of The Windmill Massacre!