*Originally written in 2003
The Nineties gave us a surge of impressive, stylish, innovative young film-makers from all around the globe, with Robert Rodriguez leading the way in his ability to make a low-budget film look like a Blockbuster. El Mariachi was filmed in a short time with a minuscule budget, but put him on the map. A solid story, good acting, great music and cinematography, confident and effective editing, and explosive action that many directors fail to achieve with a much larger budget – El Mariachi delivers thrills, laughs, good dialogue, and one of the coolest characters of the decade.
Carlos Gallardo stars as El Mariachi, a travelling musician who simply wants to carry on his family tradition. The next town he wanders into is run by crime-lord Moco. One of Moco’s former employees Azul has become a hit-man and is wiping out Moco’s men as Moco had turned against him. His trademark is his guitar case filled with weapons. When El Mariachi wanders into the town he is mistaken by Moco’s men and he finds himself in constant danger. He tries to find a way to prove his innocence, but when local woman Domino becomes involved the stakes grow. Soon a war erupts in the town.
This is constantly impressive when considering the $7000 budget. Rodriguez ensures that every scene seems like it drips with gold and style. The action is swift and exciting, the performances (mainly by total amateurs), particularly from Gallardo, Consuelo Gomez, and Peter Marquardt are very strong with each portrayal making sure each character sticks in the head. El Mariachi is an innocent forced into a deadly game which will transform his life and haunt him forever. Domino is also drawn into the seedy world, is feisty but vulnerable. Moco is a cigar smoking, white-suited menace who oozes villainy. Truly one of the best ultra low budget films ever.
Let us know what you thought of El Mariachi and any of the sequels and how you feel the director’s career has progressed over the years!