Official Nominations: Patton. Airport. Five Easy Pieces. Love Story. MASH.
1970 is most interesting in that the five Best Picture nominees are so different from each other. We have a biography, a disaster movie, a war satire, a romance, and sort-of-indie-drama. I’d be hard pushed to pick Love Story as a winner because it’s basically a Nicholas Sparks book come to life, though it is well acted. Airport doesn’t feel like a winner because it feels like a generic disaster flick looking back, but at the time it was groundbreaking and knocked open the door for so many more like it. Five Easy Pieces was never going to win, but it’s shame so few people know it because it has some exceptional performances and is more heartbreaking than Love Story. It’s a toss-up between MASH and Patton – two worthy winners in my opinion. As much as I love the music and performances of MASH… I think i prefer the series to the movie. My pick for winner goes to Patton – truly one of the best biographies and war films ever, filled with strong performances and memorable moments.
My Winner: Patton.
My Nominations: Patton. Five Easy Pieces. The Conformist. MASH. Kelly’s Heroes. The Boys In The Band. Little Big Man.
Three of the actual films pass over to my list. Regular readers will know that I love suicide mission movies, ensemble movies where a group of misfits are forced into undertaking some impossible task. It shouldn’t surprise anyone then that Kelly’s Heroes makes my list – it is one of the most riveting war movies of the decade, the twist of course being that there is no grand scheme here, just a bunch of soldiers deciding to rob a bank. Good score, great cast, and plenty of action – it isn’t going to win any genuine awards, but it’s a lot of fun. The Conformist sees Bernardo Bertolucci writing and directing a beautifully stylized tale of a broken man’s need to be normal, whatever the cost. The Boys In The Band is perhaps William Freidkin’s first notable film, based off the controversial play mostly concerning a single location party and mostly homosexual characters – a film dated in some respects but still ahead of many current portrayals. Finally, Little Big Man was a hit thanks to a cast of new stars and slotting in nicely with the anti-establishment movement sweeping the US at the time. Funny, sad, and with a bunch of good performances, it’s surprising you rarely hear about this one any more.
My Winner: Patton.
Let us know in the comments what you would pick as your best film of 1970!