Best Cinematography – 1969

Official Nominations: Butch Cassidy And The Sundance Kid. Anne of The Thousand Days. Bob & Carol & Ted & Alice. Hello Dolly. Marooned.

A clear winner this year, with Anne Of The Thousand Days, Hello Dolly, and Marooned more notable for their interior scenes. I’ve no idea what Bob & Carol & Ted & Alice is doing here.

My Winner: Butch Cassidy And The Sundance Kid

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My Nominations: Butch Cassidy And The Sundance Kid. Battle Of Britain. The Gypsy Moths. The Italian Job. On Her Majesty’s Secret Service. The Wild Bunch. Downhill Racer.

I’ve only brought over one film from the official list and I’ve added a few which seem much more deserving than those who did get a nod. The Italian Job speaks for itself, with all those exterior car scenes looking wonderful –  the same goes for On Her Majesty’s Secret Service. Battle Of Britain’s features stunning flying scenes photographed by Freddie Young, while in Downhill Racer Brian Probyn compares and contrasts the vast emptiness of the outdoors with the torment and void of its characters. The Wild Bunch of course gets a vote, while The Gypsy Moths does for skydiving photography what Battle of Britain did for aircraft.

My Winner: Downhill Racer.

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Let us know in the comments which movie of 1969 is your winner for Best Cinematography!

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One thought on “Best Cinematography – 1969

  1. John Charet January 21, 2017 / 3:24 am

    Great post 🙂 I would probably choose Downhill Racer as well. Anyway, keep up the great work as always 🙂

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