Best Music (Scoring): 1966

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Official Nominations: Original: Born Free. The Bible. Hawaii. The Sand Pebbles. Who’s Afraid Of Virginia Woolf. Treatment: A Funny Thing Happened On The Way To The Forum. The Gospel According To St. Matthew. Return Of The Seven. The Singing Nun. Stop The World I Want To Get Off.

Two obvious winners for me this year with both my picks having memorable lead themes and plenty of finely tuned incidental pieces. Return Of The Seven does of course borrow heavily from The Magnificent Seven, but it’s still so much stronger than anything else on the list that it gets the win.

My Winner: Born Free. Return Of The Seven.

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My Nominations: Born Free. Return Of The Seven. The Good, The Bad, And The Ugly. Blow-Up. The Sand Pebbles. Dracula: Prince Of Darkness.  Fahrenheit 451.

I borrow three from the official nominations, and add the steamy and restrained soundtrack by James Bernard which gives a gravitas and emotional content to your typical Hammer fare. Also added is Herbie Hancock’s immortal soundtrack to Blow-Up with an infusion of guitar psychedelia and jazz freak outs, and Bernard Hermann’s mysterious and ominous ode to the future for Farenheit 451. My win of course has to be The Good, The Bad, And The Ugly. It’s unfortunately rare that movie soundtracks enter the public consciousness and have a lasting cultural significance, but that is exactly what Ennio Morricone gives us (and not for the first or last time). The soundtrack is easily one of the finest ever written, with the title track, with The Ecstasy Of Gold, The Story Of A Soldier, all being classic themes.

My Winner: The Good, The Bad, And The Ugly

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What is your choice for the Best Score of 1966? Let us know in the comments (of course it’s going to be Morricone though…)

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One thought on “Best Music (Scoring): 1966

  1. John Charet March 4, 2016 / 2:06 am

    Born Free and Good, Bad and Ugly are my choices 🙂 Keep up the great work as always 🙂

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