Best Cinematography – 1966

fantastic_voyage_02

Official Nominations: BW: Who’s Afraid Of Virginia Woolf? The Fortune Cookie. Georgy Girl. Is Paris Burning? Seconds. Colour: A Man For All Seasons. Fantastic Voyage. Hawaii. The Professionals. The Sand Pebbles.

Who’s Afraid Of Virginia Woolf? and A Man For All Seasons picked up the wins this year, increasing their impressive respective tallies. Arguably strange choices in both places, particularly as Is Paris Burning? and Seconds have much more impressive and innovative work. On the colour side the winner is an expected and fine choice, but each of the other nominees could arguably be a better choice.

My Winner: BW: Seconds. Colour: Fantastic Voyage

6kFgrbQ

My Nominations: The Bible In The Beginning. The Good, The Bad, And The Ugly. The Plague Of The Zombies. Is Paris Burning? Seconds. Fantastic Voyage. Hawaii. The Sand Pebbles.

Only five films from the official nominations make it over to my list, and to those I add an epic and two genre classics. Giuseppe Rotunno would gain fame later with a nomination for All That Jazz, but his sweeping shots of the approach to The Ark and the generally lavish shots in The Bible: In The Beginning deserve more recognition. Similarly, The Plague Of The Zombies leaves a lsasting impression on the viewer thanks to Arthur Grant’s bleak, atmospheric shots of a claustrophobic English village. The undisputed winner, and yet another shocking omission by The Academy, must be Tonino Delli Colli’s work on The Good, The Bad, and The Ugly. Taking all the tropes of the famous US Westerns of previous decades, and continuing on the path laid out by Dallamano on the previous Dollars movies, the film remains uncompromisingly vast and beautiful today. Horizons stretch out endlessly, specks in the distance draw the eye just as much as the full screen withered faces of the cast – how much of this is actually down to Leone is up for debate. Either way, it’s a clean winner.

My Winner: The Good, The Bad, And The Ugly.

Good-Bad-Ugly 07 - Tuco at the  Graveyard

What is your pick for the Best Cinematography of 1966? Let us know in the comments!

 

Advertisements

4 thoughts on “Best Cinematography – 1966

  1. John Charet February 24, 2016 / 11:03 pm

    Your choice of Good, Bad and Ugly is perfect 🙂 Keep up the great work as always 🙂

    • carlosnightman February 25, 2016 / 8:29 am

      One of those films that still looks amazing today

  2. John Charet February 24, 2016 / 11:04 pm

    Seconds is a great choice for B&W cinematography 🙂

Leave a Reply

Please log in using one of these methods to post your comment:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s