Official Nominations: Darling. Cassanova 70. The Umbrellas Of Cherbourg. The Train. Those Magnificent Men In Their Flying Machines.
This was an interesting year for original writing, with the daring Darling deservedly picking up the win. It deals with a host of taboo subjects in a frank and often shocking manner. In another year The Umbrellas Of Cherbourg may have won thanks to the unique…lyricial style of the screenplay. The other entries are bizarre, but justified in their own weirdness, with Cassanova 70 dealing with sex and death fetish in a typically Italian comedic style, while Magnificent sees a host of British comedians hamming it up and providing a variety of humourous, energetic japes. The Train is a solemn, cynical affair, and while the film is action packed, the whole plot about stealing priceless art echoes the absurdity of war when we see that no-one even cares about the art and it is discarded.
My Winner: Darling.
My Nominations: Darling. The Umbrellas Of Cherbourg. Alphaville. Faster, Pussycat! Kill! Kill!, Help!, Repulsion
Darling and Cherbourg make the transition to my nominaitons, and are aided and abetted by a quartet of newbs which echo the bizarre real world nominations. Polanski, Brach, and Stone’s screenplay for Repulsion is almost the antithesis of Darling with a much colder, stilted approach to relationships and existence as a whole. On the other side of the extreme is Meyer’s exhuberant, ridiculous Faster, Pussycat! which contains more pulpy one-liners than drunken stand-up comedian with a gun to his head. Help! is The Beatles take on Bond, and it is filled with strange asides, improvisation, and timeless nonsense, while Alphaville is Godard’s semi-original take on the character of Lemmy Caution, completely twisting the character and throwing him into a futuristic setting.
My Winner: Repulsion.
Which film do you think has the best original screenplay of 1965? Let us know in the comments!