Best Visual Effects: 1964

Actual Nominations: Mary Poppins. The 7 Faces Of Dr. Lao.

While not necessarily and landmark year for visual effects, the 2 official nominations show advancement of the field and hold scenes which are still outstanding today. For the flight mechanics, merging of animations and other pieces, Peter Ellenshaw, Hamilton Luske, and Eustace Lycette won the award for Mary Poppins. As much as Mary Poppins did for visual effects, The 7 Faces Of Dr. Lao blows the competition out of the water. The invention on display is superb, but it is the variety of effects which cement this as my winner. On a much lesser budget than Disne’ys extravaganza, Jim Danforth’s exemplery stop motion work reflects the crazed mind of an escaped, under-your-bed lunatic. The work forshadows later films such as Clash Of The Titans, but the wizardry here is exquisite.

My Winner: The 7 Faces Of Dr Lao.

 My Nominations: Mary Poppins. The 7 Faces Of Dr. Lao. Goldfinger. Mothra Vs Goldzilla. 633 Squadron.

Added to my nominations come three films of varying effects bonanza-ing. Goldfinger arguably begins the love affair between Bond and gadgets, M vs G has a number of catastrophic fights between the Titans, while 633 Squadron features realistic air battles. It seems odd to me that any of these 3 films were left out of the official nominations.

My Winner: The 7 Faces Of Dr Lao.

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Who is your pick for the best visual effects of 1964? Let us know in the comments!

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