Best Music (Scoring): 1964

Actual Nominations: Mary Poppins, Beckett, Hush Hush Sweet Charlotte, The Fall Of The Roman Empire, The Pink Panther, My Fair Lady, A Hard Day’s Night, Robin And The 7 Hoods, The Unsinkable Molly Brown.

I’ve merged the Best Original and Best Adapted scores into a single category with a single winner. The actual winners (Original) this year, unsurprisingly were The Shermans for Mary Poppins, whose soundtrack has that eternal Disney quality- most of the tracks are ageless, but many of them, like the songs from the film, are too twee and grating for my venomous ears. Picking up the win for Adapted Score was Andre Previn for My Fair Lady, again an expected victory. The same opinion above can be used here, although I find Poppins the more fun soundtrack, while Lady has more intelligence. Laurence Rosenthal’s score for Becket is powerful, dramatic, and clearly raises the film’s potency while Frank De Vol arguably does the same job for Hush Hush Sweet Charlotte with music that teeters between tender and terrifying. Dimitri Tiomkin’s score for The Fall Of The Roman Empire has some fantastic moments, particularly the main theme which sounds an awful lot between a forgotten cross between The Good, The Bad, And The Ugly, and The Godfather while Henry Mancini finally strikes gold with the eternally wonderful theme to The Pink Panther. It’s stealthy jazz conjures up images of cool criminals, cool cops, comedy capers, and would have made a more deserving winner than either of the two actual winners. Nelson Riddle’s Robin And The 7 Hoods on the other hand is uninspired pap, featuring voices from the Twat Pack. The Unsinkable Molly Brown is more renowned for it’s songs than the score, while my winner A Hard Day’s Night could fall under the same conclusion. However, George Martin’s production of The Beatles tracks merged to create one of the best albums/soundtracks ever and they accompany the antics of the films perfectly.

My Winner: A Hard Day’s Night

My Nominations: A Hard Day’s Night, The Pink Panther. The Fall Of The Roman Empire. A Fistful Of Dollars. Goldfinger. Viva Las Vegas. Mary Poppins. My Fair Lady. 633 Squadron

Four newcomers for my list- a musical, a Western, a WWII flick, and a spy thriller. John Barry’s soundtrack for Goldfinger may be the most famous of all the Bond scores, and certainly ranks among the most iconic. This is the first point in the series where the music really grew a life of its own, featuring several motifs which continue throughout the series. The heavy focus on brass counters the more metallic sounds, sending the seductive clashing against the threat. The soundtrack was also a huge commercial success. The soundtrack for Via Las Vegas was not the success it was expected to be, it’s style going against the rise of The Beatles. However, it is one of the best in Elvis’ career and is particularly frantic and fun. Finally, Ennio Morricone’s soundtrack for A Fistful Of Dollars is one of the most evocative in history. Taking his cue largely from Tiomkin, Morricone twists the usual music of Westerns by adding all manner of whistles, chants, percussion, and sudden strings. The main theme has a memorable melody and is equally sombre and jubilant, moving between contemplative moments to galloping rhythms. Ron Goodwin’s stirring soundtrack for 633 Squadron is arguably what most people remember about the film- a rousing British battle cry. It’s difficult to choose a winner year, in a very strong year for movie soundtracks.

My Winner: A Hard Day’s Night.

Let us know in the comments which of the nominations above you feel is the deserving winner, and feel free to share any soundtracks I’ve missed!

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