Best Make-up: 1964

Finally, in 1964, an award was presented for the first time in the field of make-up. It may have only been an honorary award, but it was a step in the right direction although it would take a depressing 17 years before the category became official. William J Tuttle had been responsible wholly or in part for the make up in films from the 1930s to the 1970s- if you haven’t heard his name then I’m sure you’re familiar with his work- The Wizard Of Oz, The Red Badge Of Courage, Singin’ In The Rain, The Prisoner Of Zenda, 7 Brides For 7 Brothers, Forbidden Planet, North By Northwest, The Time Machine, The Twilight Zone, Young Frankenstein to name a very few. His award for 7 Faces of Dr. Lao is justified and deserved in itself, but gives thanks to one of the greatest undervalued careers in Hollywood.

My Nominations: 7 Faces Of Dr. Lao. The Fall Of The Roman Empire. Goldfinger. The Flesh Eaters. Onibaba. Zulu. The Masque Of The Red Death.

A mix of horror, action, and epics make up my picks this year. Zulu and The Fall Of The Roman Empire are obvious choices given the scale and dedication involved, while Goldfinger continues the trend of strong work for Bond films. Onibaba is made all the more flesh-crawling due to the subtle make-up- it’s so subtle I don’t even know who the make-up artist was. The Masque Of The Red Death and The Flesh Eaters go for a more visceral approach and while both relatively low budget, they show a supreme mastery of the craft and ability to make the craft a vital part of the production. My Winner though has to be 7 Faces Of Dr. Lao as it is genuinely revolutionary. There are techniques and sights on display here that were new, and others brought to the tip of their power, but it is the diversity and invention which overshadows the other nominees and shows a great man going wild with his art.

My Winner: 7 Faces Of Dr. Lao.

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